A Dashing Premise

In Joanna Lowell’s Victorian romance novel, ‘A Shore Thing’, readers are introduced to an engaging narrative featuring Kit Griffith, a dashing bicycle store owner, and Muriel Pendrake, a dedicated botanist. The story kicks off with a multi-day biking contest where Kit and Muriel team up to prove that women can ride bicycles just as competently as men. This delightful premise sets the stage for an adventure that is both entertaining and thought-provoking.

Complexity in Character

The novel gains depth and poignancy with the revelation that Kit is a transgender man, having recently left a sisterhood of female artists to live his life authentically. This aspect of Kit’s identity adds layers to his character and enriches the narrative, offering readers a nuanced portrayal of self-discovery and courage during the Victorian era. Muriel, initially surprised by Kit’s past, grows to admire his charm and resilience.

Building Relationships

Through their journey, Kit and Muriel engage in meaningful discussions about art, nature, community, and identity. These conversations not only strengthen their bond but also provide commentary on the societal constraints of their time. Kit, who claims to be an affairs-only kind of lover, finds his own notions of love and companionship challenged by Muriel’s unwavering affection.

A Road Trip to Remember

Their biking contest becomes a road trip filled with unique experiences and an entertaining cast of secondary characters. Each interaction and encounter along the way contributes to the overall charm and heartwarming essence of the story. ‘A Shore Thing’ stands out as a winner by blending romance, adventure, and social commentary, making it a must-read for fans of the genre.