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    Exploring the Depths of Eliza Chan’s ‘Fathomfolk’: A Tale of Division and Unity

    Introduction to ‘Fathomfolk’

    ‘Fathomfolk’ by Eliza Chan is an enchanting modern urban fairy tale set in the divided city of Tiankawi. The city, half aboveground and half underwater, is a microcosm of real-world politics and societal issues. This narrative brings together fantastical races and the complexities of human society, creating an intricate tapestry that resonates on multiple levels.

     

     

    The World of Tiankawi

    Tiankawi is a city divided not just by its geographical features but also by its inhabitants. The ‘haves,’ mainly humans, reside in the city’s lofty spires, while the ‘have-nots,’ primarily the Fathomfolk diaspora, live in less favorable conditions. These sea-dwelling people have been displaced from their underwater homes due to pollution and human interference. The city’s social fabric is a poignant commentary on the disparities that exist in many modern societies.

    Mira and Her Dual Existence

    Mira, the first half-siren captain in Tiankawi’s border guard, embodies the struggle of balancing two worlds. Her methodical approach to change and her relationship with a well-connected water dragon reflect her hope for gradual progress. As she navigates her dual identity, Mira’s story highlights the challenges and opportunities of bridging gaps between disparate communities.

    Nami’s Radical Path

    Contrasting Mira’s methods, Nami, Mira’s boyfriend’s sister, opts for a more rebellious route. Banished to Tiankawi for her defiance, she associates with groups advocating for revolutionary change. However, her journey leads her to confront the ethical dilemmas of violent resistance. Nami’s character arc underscores the complexity of activism in the face of systemic oppression.

    A Nuanced Parable

    ‘Fathomfolk’ is not just a fantasy tale but a nuanced parable about the intersectionality of social justice issues. The divisions among the Fathomfolk, coupled with the shared struggles of humans and sea creatures in Tiankawi, reflect the multifaceted nature of societal challenges. Eliza Chan’s narrative invites readers to ponder the parallels between her fictional world and our own, leaving a lasting impact long after the story concludes.